Wednesday, April 19, 2017

Sarah Kirkland SniderSongNausicaa Lyrics

Sarah Kirkland Snider Song Lyrics to Nausicaa
Don’t be afraid, Stranger
I’m not afraid,I’m not afraid of you.                                   
                                    You look so lost, Stranger       
But you’re not lost,
‘Cause I’ve just found you.

Just take my hand, Stranger
Just take my hand
And I will lead you home.                                
                            Sarah Kirkland Snide

Sarah Kirkland SniderSongOpen Hands Lyrics

Sarah Kirkland SniderLyricSongLyrics to Open Hands
Here’s an ugly little something,Broken bit of who knows what
Here’s a bloody little secret                                   
                                    What I did and what I thoughtHere is what I lost forever       
Open hands, a certain laugh
Here is what I thought I wanted
Some lost smile in a photograph.                                
                            Sarah Kirkland Snide

Sarah Kirkland Snider SongThe Honeyed Fruit Lyrics

Sarah Kirkland SniderLyricSongLyrics to The Honeyed Fruit
The honeyed fruit they offered dripped forgetfulness. Those who tasted it fell where they were, dreaming, their faces smeared smiling with the sweetness of the end of any desire for home. I drove them, weeping, to their rowing benches and tied them in, but still they moaned, straining to look back over their shoulders at the disappearing shore, like children carried off from their calling mothers.                                       
                            Sarah Kirkland Snide

Wednesday, October 12, 2016

Idle And Waiting Song Lyrics

Idle And Waiting  Song Lyrics
                                Lyrics to Idle And Waiting
Play that chord one more time
you know I'm waiting
it's the quiet that makes the song
                                    no, its the absence of light that makes it
play that chord and I'll fall asleep
I will, I will but my heart is racing
and my mind wont shut down

play that chord one more time
cause I'm singing, we're singing
laughter fills the room
and pulls towards another nights' close
and I'll fall asleep
I will, I will but my heart is racing
and my mind wont shut down

everyone is idle and waiting
I'm waiting, I'm waiting                               

Umbrellas - Idle And Waiting Lyrics

Perfect Eyes of Beautiful People

Saturday, November 29, 2014

VIOLIN as a lifestyle

Beautiful Violinista without violin
The violin is often casually called a fiddle, in spite of of the variety  of music portrayed for it. The word violin occurs via the Old Latin term  vitula, meaning stringed device; this term is at the same time concluded to be the  source of the Germanic "fiddle". The violin, while it has age-old start,  bought most of its modern properties in Sixteenth century Italy, with  a few additional alters occurring in the 18th and Nineteenth centuries.  Violinists and lovers specifically prize the musical instruments constructed by the  Gasparo da Salò, Giovanni Paolo Maggini, Stradivari, Guarneri and Amati  the entire family from the Sixteenth to the Eighteenth century in Brescia and Cremona and by  Jacob Stainer in Austria. According to their popularity, the excellent of  their audio has beat tries to reveal or similar it, though this perception  is questioned. Great statistics of devices have arrive from the hands of  "lesser" designers, as well as still better amounts of mass-produced  advertisement "trade violins" coming from cottage business in places such  as Saxony, Bohemia, and Mirecourt. Many of these trade instruments were  previously distributed by Sears, Roebuck and Co. and other mass merchandisers.

A individual who makes or repairs violins is termed a luthier. The components of a  violin are generally made from different sorts of wood (although electric  violins might not be made of lumber at most, since their audio may not be  reliant on particular acoustic qualities of the instrument's  construction), and it is usually put up with belly, Perlon or other  man made, or steel strings.

Significant changes occurred in the structure of the violin in the 18th  century, specially in the length and angle of the side, as well as a  heavier bass bar. The bulk of aged instruments have gone through these  modifications, and hence are in a truly different state than when  they still left the hands of their makers, without doubt with differences in sound  and reply. But these tools in their current condition set the  common for excellence in violin workmanship and audio, and violin  makers all over the earth try to come as close to this ideal as attainable.